Henslowe Alleyn Theatre Papers' Research
Two recent publications which re-interpret the Henslowe Alleyn Theatre Papers have just been published.
The first is Re-locating the Fortune Theatre: a new history by S P Cerasano and is published by Globe Education as part of their Occasional Papers series. It is based on the lecture given by Professor Cerasano at the Fortune Theatre Symposium at the Globe in November 2006, when the Fortune contract from the Henslowe Alleyn Theatre Papers was loaned to Shakespeare's Globe.
The second is the two volume Oxford Middleton which brings together for the first time the Complete Works of Thomas Middleton in one volume and as a companion volume publishes a series of essays on Thomas Middleton and Early Modern Textual Culture. The general editors are Gary Taylor and John Lavagnino.
The first is Re-locating the Fortune Theatre: a new history by S P Cerasano and is published by Globe Education as part of their Occasional Papers series. It is based on the lecture given by Professor Cerasano at the Fortune Theatre Symposium at the Globe in November 2006, when the Fortune contract from the Henslowe Alleyn Theatre Papers was loaned to Shakespeare's Globe.
The second is the two volume Oxford Middleton which brings together for the first time the Complete Works of Thomas Middleton in one volume and as a companion volume publishes a series of essays on Thomas Middleton and Early Modern Textual Culture. The general editors are Gary Taylor and John Lavagnino.
posted by Calista Lucy at
1:47 pm
1 Comments:
Andrew Gurr in his article The work of Elizabethan plotters, and 2 The Seven Deadly Sins in Early Theatre Volume 10 2007 pp 67-87 discusses how the plot or platt of the second part of the Seven Deadly Sins Dulwich College MS XIX, throws some light on the extraordinary high speed process in which some 15 or more players were staging six different plays a week from an annual repertory of 30 plays.
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Calista Lucy, at 9:29 am
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